Dockland

ed: RJM Carr, pub: North East London Polytechnic/Greater London Council, 1986

Waters of Sound

Isolated elements from Waters of Time (Bill Launder, Basil Wright for Port of London Authority, UK, 1951) soundtrack:

music  (by Alan Rawsthorne) 9:15 mp3

location sound  11:07 mp3
narration  (Paul Dehn) 10:40 mp3
prose poem sound collage  5:08 mp3

"A gull could fly for eleven miles up river, on the back of a sea wind, and never leave Dockland…"

Extract from Waters of Time (Bill Launder, Basil Wright for Port of London Authority, UK, 1951).

Operation Orange Tree RNLI video

RNLI video of Operation Orange Tree mock rescue, 30 September 2010

Operation Orange Tree

On the 30th September 2010 a major exercise code named ‘ORANGE TREE’ will take place in the Upper Pool from 2030(BST) to approximately 2230(BST), simulating a collision between a commercial non-passenger vessel and a Class V passenger vessel in the area off St Katharine Pier - HMS PRESIDENT. The event may involve the use of smoke.


more here:
http://server2.pla.co.uk/notice2mariners/pdf/M55_of_2010_w_-_Upper_Pool_-_Exercise_Orange_Tree.pdf

video recce, London, Greenland Dock, 9 August 2010

Here at the west end of Greenland Dock, near Surrey Quays, the water is a little choppy in the steady wind; when the clouds move away and the sun shines the Canary Wharf complex is reflected quite well, albeit abstracted by the water. In future I should consult the weather forecast for the predicted wind speed. Wind speed can become an observable phenomenon contributing to the description of species of spaces and help me to assess good conditions for water video capture.  Should I look for the stillest and most sunny days?

Alternatively, I have also been considering capturing images in London at night, so that the reflections are of lit buildings; I imagine that the lights on the building would reflect quite spectacularly on the water. So Melbourne: diurnal, London: nocturnal, following time zone differences and following a pattern I used in Nightlight, but this time more precisely.


Walking along Cunard Walk on the south side of Greenland Dock, the names of the places are clearly a historical legacy detached from their original significance. What significance is attached to, or detached from, place names around the Docklands in Melbourne?


Greenland Dock is very much private water, containing a residential estate. The choppiness of the water is not helped by the use of it by recreational boating.

Walking around this place I feel as though I’m in an alien environment, as though like Thomas Jerome Newton I’ve fallen to earth, observing these peculiar places and phenomena that I’m finding.  During the day here it’s very quiet, just a few people around, some on the water in their little sailing boats, some sitting around the water, women with children in pushchairs, very little else.  A while ago I heard the sound of a vacuum cleaner in an apartment, and couldn’t help thinking that was probably the cleaner who was in, while the resident is out at work. Where?  Perhaps in the City, or just over there in the Canary Wharf complex that looms on the immediate horizon.

Towards a nomenclature of water

Having never read it, but having long been aware of its existence and perhaps pertinence to this and other of my projects, before I left London I bought a copy of Species of Spaces and Other Pieces by Georges Perec.  It is a wonderful book, full of Perec’s observations of otherwise unremarkable places and suggestions as to how to explore, examine and describe them.

I have noted in Species of Spaces correlations with his interests in formal concerns and those of some of my own approaches. For example early in the book he quotes Paul Eluard’s Children’s song from Les Deux-Sèvres from Poésie involontaire et poésie intentionelle (itself a title that I’d like to adopt):

In Paris, there is a street;
in that street, there is a house;
in that house, there is a staircase;
on that staircase, there is a room;
in that room, there is a table;
on that table, there is a cloth;
on that cloth, there is a cage;
in that cage, there is a nest;
in that nest, there is a bird.

This bears a close resemblance to the lyric of my song Aroundabout. I have never knowingly read the Eluard poem, and of course it’s possible that, like me, he was influenced by the old traditional English song The Green Grass Grew all Around which was reworked with a fecund twist as The Maypole Song in the film The Wicker Man.

Perec’s descriptions of bedrooms also reminded me of my description of a Brussels hotel room in Direct Language 3.

Of course there is always the anxiety of influence, something that I’ve been conscious of in many forms in developing this project, but also something I’ve decided not to be overly concerned about, and it’s something I’ll deal with in another post.

There is something of a descriptive zoom, or a pan, a cinematic descriptive in Perec’s writing as it shifts focus from the microscopic, the macro view, travelling across space; as he writes: “force yourself to see more flatly”.

There are interesting and often oblique connections to Public Water.  In writing about street numbering conventions Perec discusses the Parisian model where odd numbers are on the left, even on the right, relative to the direction of the street, but then a third determinant being a fixed point that dictates the direction of the ascension of the numbers.

“Streets parallel with the Seine are numbered starting upstream, perpendicular streets starting from the Seine and going away from it (...one might reasonably suppose that analogous solutions have been thought up for other towns).”

Have they?  Well a cursory glance at my wholly inadequate street map of Melbourne suggests that this might be the case in relation to the River Yarra, but the map is not detailed enough to be definitive.  If it is the case, what is the meaning of this numerical grid placed upon the physical grid that Hoddle superimposed on this township in the distant colony in the middle of the nineteenth century: a persisting, perhaps permanent marker of colonialism?

Perec suggests that  “...rather than visit London, stay at home, in the chimney corner, and read the irreplaceable information supplied by Baedecker (1907 edition): ...If one is in the vicinity of London Bridge, one should take advantage of every available moment to visit the port and its environs, the ships arriving or departing and the enormous traffic in the docks.  For those wishing to enjoy a grand spectacle, unique in the world, the excursion to Gravesend is especially recommended.”

Perec quoting from Cosmicomics by Italo Calvino: “... so the world and space seemed to be the mirror one of the other both minutely stored in heiroglyphs and ideograms, and in each of them could equally well be or not be a sign: ...one scratch out of eight hundred thousand on the creosoted wall between two docks in Melbourne...”.  I am looking for that scratch.

Listings. Typology. Perec is concerned with species of spaces, categories of observations, I am concerned with categories of water as public space, and I have looked in vain for a way of categorising ‘species of water’, beyond the purely generic (“creek”, “canal”, “river”, etc) in terms of describing types of waves in order to standardise observations relating to the same conditions in various places, other than the likes of “calm”, “choppy”, “flowing”, “tidal”, etc.  Maybe this nomenclature is enough for my purposes; conventional sources tend to range from the ultra-scientific, physics-based descriptions of waves and particles, etc, to surfing vernacular.  Perhaps there are better terms, maybe meteorological ones, but I’ve yet to find them.

Earlier works around water

Periscope 180° super 8/1992 

At sea when it began: three months of water, and then down the west coast of Australia, nowhere else to go.  Three months of water and now a land-locked mast.  A western setting sun.  By the wharf, down at the docks, the pipes, the pipes are calling another aching load… and every day after that I went to the beach. 

Pools Between Land super 8 - video/1990
Still water, pooling water, not spilt like on land, collects in depression.

m-dot.report video/1991
… residents of the village of Elwood and other areas around Post Philip Bay, Melbourne, Australia, reported seeing a flying object hovering at about 250 metres above the water, 500 metres offshore at Point Ormond. 

Harmonic Maheno (Harmonic Three Three) super 8/1991 

As we drove north up the eastern side of the Island we came across the rusting hulk of a ship wreck; one of the more accessible of many such wrecks dotted around the Australian coastline.